Giant Sand
If any Americana band deserves to be called legendary, it's Giant Sand - 30 years and 28 albums old this year and better than ever. Based in Tucson - hence the tag 'desert rock' - it's led by singer, writer and story-teller Howe Gelb, whose songs are wry, wise, smart, inscrutable, ambitious and heart-grabbing in equal measure.

Patty Griffin
A Grammy-winning American folk singer, Griffin was born in Maine and based in Texas. Her striking voice and songs are even more affecting in a simple setting such as on this album, her most stripped-down since her 1996 debut. and her first since taking a break to tour and record with Robert Plant's Band of Joy. 

Noah Gundersen
This memorable midtempo beauty comes from the debut album of a young Seattle indie-folk singer-songwriter, raised  in a strict religious family but sounding more influenced by Ryan Adams at his most spacious and bittersweet. It features Gundersen's sister on strings and his brother on drums.

Robert Earl Keen
There's a lot of miles between Central Texas and the Appalachians, and quite some distance between the kind of smart, sometimes raucous country Keen is known for and the bluegrass he plays on this covers album with such respect and skill: Bill Monroe, Carter Family -and Richard Thompson. 

Sean Taylor
A London-based singer-songwriter in his early thirties,  Taylor recorded his sixth album in Texas. The sound is a meditative and sensual mix of Anglo and American, with poetic lyrics and beautifully-played folk-blues guitar. 

Robbie Fulks 
Since his 1996 debut, this Chicago singer, once tagged 'insurgent country 'singer, has taken an eclectic, sometimes humorous, subversive approach to his material. But on his 12th album - acoustic this time - Fulks, like Robert Earl Keen, goesback to his roots. 

James McMurtry
A Texan country-folk singer-songwriter, McMurtry specialises in lean, mordant, story-songs about Americans on the losing end, and there's a sense in his voice that he knows that feeling well. In his early fifties, he has 12 albums, this recorded in New Orleans. 

Dawn McCarthy & Bonnie 'Prince’ Billy
Bonnie 'Prince' Billy, aka musician/actor Will Oldham, has a fragile haunting, backwoods voice and highly distinctive lyrics. He also has a diverse and prolific output, quite often collaborative. Here he and Dawn McCarthy of 'freak folk' Faun Fables duet on Everly Brothers songs. 

Chuck Prophet
Prophet made eight albums with 'paisley underground' band Green On Red before releasing a dozen acclaimed solo albums. Temple Beautiful  - swaggering and moving - is paean to his hometown San Francisco and its characters, and this song about meeting his wife/ bandmate Stephanie Finch. 

Stone Cupid With Julie Christensen
Born in Iowa and living in Nashville, Christen sang western swing, jazz, blues and punk (with Divine Horsemen in '80s L.A) before becoming  Leonard Cohen's backing singer and finally releasing released her solo debut in the '90s. This powerful song is from her sixth. 

Reed Foehl
Born in Boston, based in Colorado, Reed fronted jam band Acoustic Junction for more than ten years - until he became a father and decided to spend more time at home. The songs on this album feel like they've been around forever,. 

Jim White
Since his unforgettable and influential 1997 debut Wrong-Eyed Jesus -  later a movie -  White has made albums of haunting, dreamy, highly-literate songs, often set in the American South he calls home. But he can be whimsical, as in this little-known collaboration with Dan Nettles, based on the works of Sam Shepard.

Malcolm Holcombe
A gravel-voiced writer of stark, authentic folk-Americana, Holcombe was born in a small town in N.Carolina 60 years ago. Releasing his solo debut in the mid 80s, he became a respected figure in the folk underground. This his 10th album was recorded live in his home studio. 

Mary Gauthier
Born in New Orleans, resident in Nashville, Gauthier is an award-winning recording artist and short story writer whose own life story reads like an American novel. She released her first album in '97, when she was in her thirties, and this is her tenth - raw and personal.